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As such, Marriage Italian Style is anchored in Naples’ exuberance via its filming locations (linen on the windows and onlookers on the terraces, chaotic circulation, etc.) and the dialect used by the actors (Loren, in particular, emphasises her Neapolitan identity through a very strong accent).
The Italian Comedy is based on easily identifiable regional archetypes for instance, Divorce Italian Style was the stereotype of a violent and passionate Sicily. The Italian people recognised itself in its spirit and this led to the birth of a true ‘Italian’ label, which was found even in the titles of some of the productions of the time for instance Pietro Germi’s Divorce Italian Style or Franco Indovina‘s Menage Italian Style. Marriage Italian Style is adapted from a stage play by Eduardo de Filippo as part of the Italian Comedy (Comedia ‘all’italiana’) genre, which had started to dominate the screens in parallel with the economic rebirth of Italy in the early 1960s and, in a truly singular way, managed to combine comic energy, social satire and melodrama. All is well until Domenico begins courting another, younger woman, and flaunts his new relationship in front of her… Sparks fly and she becomes both his mistress and the manager of his pastry shop. was now becoming a run-of-the-mill craftsman and in Marriage Italian Style there is not much left of the artist dominating his film De Sica makes himself smaller behind the camera, obsessed with the idea of highlighting his actors and script.ĭomenico (Marcello Mastroianni) is a businessman who is used to being in control until he meets former prostitute Filumena (Sophia Loren).
Actually, ten years after giving a voice to the undesirable by searching with his camera for the little things that meant a lot in Italy’s post-war period, the director of such masterpieces as The Bicycle Thieves or Umberto D. However, by the end of the 1950s and early 1960s, De Sica was no longer truly the leader of Neorealism that he had been. Ponti was therefore encouraged to continue their fruitful association under the leadership of the same director, Vittorio De Sica ( Umberto D.), and it worked, as the film was nominated for Best Foreign Language Film and Best Actress at the 1964 Academy Awards, and won the Golden Globe the same year for Best Foreign Film.
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Moreover, since Loren had proved a true alchemy with Marcello Mastroianni ( 8 ½), Ponti had set out to unite these two stars in 1963 for Yesterday, Today and Tomorrow, an anthology movie crowned with colossal success, including the Oscar for Best Film in a Foreign Language. He then worked to make her an international star, appearing for example in the epic productions of Anthony Mann ( El Cid, The Fall of the Roman Empire). In 1957, famous Italian producer Carlo Ponti ( La Strada) married Sophia Loren ( Two Women).
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